The Routledge Companion to Literature and Art explores the links between literature and visual art from classical ekphrasis through to contemporary experimental forms. The collection’s engagement with diverse literary and cultural artifacts offers a comprehensive survey of the vibrant interrelationships that currently inform literary studies and the arts. Featuring four sections, the first part provides an overview of theoretical approaches to art and literature from philosophy and aesthetics through to cognitive neuroscience. Section two examines one of the most important intersections between text and image: the workings of ekphrasis across poetry, fiction, drama, comics, life and travel writing, and architectural treatises. The third and fourth sections consider intermedial crossings from antiquity to the present. The contributors examine the rich intermedial experiments that range from manuscript studies to infographics in graphic narratives, illuminating the vibrant ways in which texts have intersected with illustration, music, dance, architecture, painting, photography, media installations, and television. Throughout this dynamic collection of 37 chapters, the contributors evolve existing critical debates in innovative new directions. The volume will be a critical resource for advanced undergraduate and graduate students, as well as specialist scholars working in literary studies, philosophy of art, text and image studies, and visual culture.

Mental Health is an accessible introductory textbook aimed primarily at nursing and health care students who are not in the mental health field of practice but are seeking to understand mental health and become rounded practitioners. It will also be useful as a broad introduction for mental health nursing students. Through clear explanations, examples and activities, the book will help you to recognise and support people with mental health issues whenever they are encountered in your practice. You will learn: What mental health is and how it interacts with physical health About different theories and models that are applied to understanding mental illness How to relate to and communicate with people experiencing mental health problems How to recognise the common diagnosable mental health disorders and understand the treatments and interventions that are applied to them About the impact that mental health issues can have on people at different stages of life, from childhood to adulthood and later life How to apply legal and ethical frameworks and to assess risk when supporting people with mental health issues. Written by a team of highly experienced mental health academics and practitioners, this book will help you to develop the underpinning knowledge and skills you need and to apply them in your own field of practice. Pre-publication reviews "Accessible and thorough, and definitely well pitched for non-mental health clinicians." Senior Lecturer, Mental Health Nursing "From an adult nursing point of view it's got everything I would expect it to cover." Adult nursing student "The book is very readable and accessible, I like the tone of the text as it is informative, and the activities give you chance to reflect.... The information is comprehensive without being too wordy, but academically sound. This book should be on the reading list for all nursing students and other HCP students. It should also be on the book shelf in all nursing offices, [social worker] offices, occupational health etc.." Mental health nursing student "I would definitely recommend this book to non-specialists. I like the breadth of areas that the book covers." Senior Lecturer, Mental Health Nursing Essentials is a series of accessible, introductory textbooks for students in nursing, health and social care. New and forthcoming titles in the series: The Care Process Communication Skills Leadership Learning Disabilities Mental Health Promoting Health and Wellbeing Research and Evidence-Based Practice Study Skills

The first comprehensive study of this war helps us understand how each country to defend the frontier, and the political issues which drove the Anglo-Scottish wars of the 1520s. The Anglo-Scottish War of 1522-1524 saw the mobilisation of tens of thousands of men and vast amounts of resources in both England and Scotland. Beyond its British context, the war had a European significance: it formed an element in the wider Valois-Habsburg struggles over Italy, with the complex systems of alliances spreading the repercussions of this struggle far across the continent and to the borders of England and Scotland. Recent years have seen the emergence of a renewed debate around the status of the Anglo-Scottish frontier and the wider political and social conditions which predominated in the borderlands of each kingdom. Although there has been a move to present the Anglo-Scottish border as a porous frontier where the populations on either side were closely connected, these neighbourly links imploded rapidly in wartime when frontier populations were co-opted into a national struggle. It is significant that borderers were responsible for inflicting the heaviest violence on each other during the war. Drawing on an unprecedented access to English and Sottish sources of the conflict, this book offers an important new contribution to both Scottish and English history as well as the wider military history of late medieval and early modern Europe. Aspects of military mobilisation, logistics, the defence of frontiers, the use of violence against civilians and wartime espionage feature prominently.

The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights. Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary. This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where “live with” itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.

The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights. Encompassing a diverse range of mediums and genres - including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more - the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary. This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where "live with" itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.

Essays address plague and disease in the fifteenth century, as manifested throughout Europe. Described as "a golden age of pathogens", the long fifteenth century was notable for a series of international, national and regional epidemics that had a profound effect upon the fabric of society. The impact of pestilence upon the literary, religious, social and political life of men, women and children throughout Europe and beyond continues to excite lively debate among historians, as the ten papers presented in this volume confirm. They deal with theresponse of urban communities in England, France and Italy to matters of public health, governance and welfare, as well as addressing the reactions of the medical profession to successive outbreaks of disease, and of individuals to the omnipresence of death, while two, very different, essays examine the important, if sometimes controversial, contribution now being made by microbiologists to our understanding of the Black Death. Contributors: J.L. Bolton, Elma Brenner, Samuel Cohn, John Henderson, Neil Murphy, Elizabeth Rutledge, Samantha Sagui, Karen Smyth, Jane Stevens Crawshaw, Sheila Sweetinburgh.

Fresh examinations of the activities of Henry V, looking at how his reputation was achieved. Henry V (1413-22) is widely acclaimed as the most successful late medieval English king. In his short reign of nine and a half years, he re-imposed the rule of law, made the crown solvent, decisively crushed heresy, achieved a momentous victory at the battle of Agincourt (1415), and negotiated a remarkably favourable settlement for the English over the French in the Treaty of Troyes (1420). Above all, he restored the reputation of the English monarchy andunited the English people behind the crown following decades of upheaval and political turmoil. But who was the man behind these achievements? What explains his success? How did he acquire such a glorious reputation? The ground-breaking essays contained in this volume provide the first concerted investigation of these questions in over two decades. Contributions range broadly across the period of Henry's life, including his early years as Prince of Wales. They consider how Henry raised the money to fund his military campaigns and how his subjects responded to these financial exactions; how he secured royal authority in the localities and cultivated support within the politicalcommunity; and how he consolidated his rule in France and earned for himself a reputation as the archetypal late medieval warrior king. Overall, the contributions provide new insights and a much better understanding of how Henryachieved this epithet. GWILYM DODD is an Associate Professor in the Department of History, University of Nottingham. Contributors: Christopher Allmand, Mark Arvanigian, Michael Bennett, Anne Curry, Gwilym Dodd, Maureen Jurkowski, Alison K. McHardy, Neil Murphy, W. Mark Ormrod, Jenny Stratford, Craig Taylor.

This book provides a systematic analysis of the innovations that occurred in the display of royal power during John II's four years in English captivity. Neil Murphy shows how the French king's competition with Edward III led to a revolution in the presentation of the royal image, manifesting through developments to the sacral character of the French monarchy, lavish displays of gift giving, and the use of courtly display. Showing that the Hundred Years War was not just fought on the battlefields of France, this book unravels how the war played out daily in the competition for status between Edward III and John II.

Fresh examinations of the activities of Henry V, looking at how his reputation was achieved. Henry V (1413-22) is widely acclaimed as the most successful late medieval English king. In his short reign of nine and a half years, he re-imposed the rule of law, made the crown solvent, decisively crushed heresy, achieved a momentous victory at the battle of Agincourt (1415), and negotiated a remarkably favourable settlement for the English over the French in the Treaty of Troyes (1420). Above all, he restored the reputation of the English monarchy andunited the English people behind the crown following decades of upheaval and political turmoil. But who was the man behind these achievements? What explains his success? How did he acquire such a glorious reputation? The ground-breaking essays contained in this volume provide the first concerted investigation of these questions in over two decades. Contributions range broadly across the period of Henry's life, including his early years as Prince of Wales. They consider how Henry raised the money to fund his military campaigns and how his subjects responded to these financial exactions; how he secured royal authority in the localities and cultivated support within the politicalcommunity; and how he consolidated his rule in France and earned for himself a reputation as the archetypal late medieval warrior king. Overall, the contributions provide new insights and a much better understanding of how Henryachieved this epithet. GWILYM DODD is an Associate Professor in the Department of History, University of Nottingham. Contributors: Christopher Allmand, Mark Arvanigian, Michael Bennett, Anne Curry, Gwilym Dodd, Maureen Jurkowski, Alison K. McHardy, Neil Murphy, W. Mark Ormrod, Jenny Stratford, Craig Taylor.

Initially published in 1984, Dermot Healy's stunning first novel, Fighting with Shadows, returns to print after almost thirty years. Largely set in the border village of Fanacross, Co. Fermanagh, as Ireland stumbles clumsily toward modernity, the Allen family negotiate a bitter and troubled terrain. Fighting with Shadows offers extraordinary and poetic glimpses of the compelling lives of ordinary people. The novel's landscape is of borderlands, of in-between spaces; it tells of violently sundered geographical borders, of maddening religious differences, of the anguished gaps between people as they struggle to find each other, and of how the dead reside among its inhabitants long after they've passed. At once realist account and nightmarish magic realist fable, Fighting with Shadows occupies a truly important position in the history of modern Irish fiction.

Writing the Sky: Observations and Essays on Dermot Healy is a comprehensive collection of critical essays, memoirs, poetry, and other writerly responses devoted to the life and work of the late Dermot Healy (1947– 2014). Healy was an accomplished poet, short story writer, novelist, playwright, and editor, and so these essays and observations address the entire range of his eclectic and exciting oeuvre. While paying due tribute to the memory of the man himself, the collection primarily seeks to establish a series of important critical perspec- tives through which Healy’s writings can be properly viewed and assessed. Contemporary writers and poets— including Colm Tóibín, Neil Jordan, Aidan Higgins, Alannah Hopkin, Kevin Barry, Annie Proulx, Michael Longley, Roddy Doyle, Tess Gallagher, Timothy O’Grady, Glenn Patterson, Patrick McCabe, and many others—of- fer creative reflections on Healy’s work, while literary critics provide a wide-ranging foundation for future Healy scholarship. In total, over forty contributors from more than a dozen countries provide insight into one of Ireland’s most powerful and unique literary voices. This collection is absolutely crucial for everyone interested in the work of Dermot Healy and for all devotees of Irish literature.

In 1544, Henry VIII led the largest army then ever raised by an English monarch to invade France. This book investigates the consequences of this action by examining the devastating impact of warfare on the native population, the methods the English used to impose their rule on the region (from the use of cartography to the construction of fortifications) and the development of English of colonial rule in France. As Murphy explores the significance of this major financial and military commitment by the Tudor monarchy, he situates the developments within the wider context of English actions in Ireland and Scotland during the mid-sixteenth century. Rather than consider the plantations established in the mid-sixteenth century Ireland as the 'laboratory' for a new form of empire, this book argues that they should be viewed along with the Boulogne venture as the English crown's final attempt to establish colonies through the use of state resources alone.

Neil Murphy's third book embraces the subject of the Irish 'Troubles' during the chaotic period between the Easter Rising in 1916 and the signing of the Treaty in 1921. Lord Keppel, a psychopathic Captain in the British army needs money to refurbish his castle in Enniskillen. His American heiress wife will foot the bill. Sadly for Keppel his pregnant bride, a millionaire's daughter, drowns as a consequence of a German torpedo attack on the liner, Moldavia, but not before the child enters the world. She is left in the care of Mossy McGuire, a passing Irish fisherman who rescued the infant. This story follows Keppel's search for his daughter, thwarted by the I.R.A. and friendly locals who are intent on saving the child from the hands of Keppel and returning her to her maternal grandparents in America.

A series of psychology based essays written by Neil Murphy C.Q.S.W. to assist people with issues of depression and help them reach their own personal understanding.

Literature and Ethics covers a wide gamut of literary periods and genres, including essays on Victorian literature and modernism, as well as several studies on narrative, but the central ethos emerges from considerations of issues of responsibility and irresponsibility as they find expression in literary study, and in ethics. Students and academics who are interested in literary theory, ethics, narrative form, and issues of authorial responsibility, and how such matters inform the reading of literary texts, will find that this collection offers a wide array of approaches and viewpoints by major figures from the relevant sub-disciplines in literary studies. The collection offers much-timely critical observation on a variety of contemporary authors but also provides critically adventurous commentaries on Victorian literature, and on Indian, African, Irish, and Australian literature. The volume assembles a collection of essays that would illustrate the great diversity of methods by which considerations of responsibility can and do offer insight into a range of literary texts, and theoretical discourses, while also making a contribution to the philosophical question of responsibility (and irresponsibility) in the contemporary world. The collection as a whole testifies to the human fascination with issues of responsibility, just as it testifies to the necessity of posing questions of responsibility as questions of ethics and literature, the necessity of recognizing, in other words, that "responsibility" names a concept whose only ground is the history of those fictional narratives of responsibility and irresponsibility that modern civilization would do well to continue inventing and reflecting upon critically. So whether ethical discourses find expression in theoretical debate--or in and through the sophisticated fictions that constitute an imaginative culture--what is clear, both from wider discussions related to the value of literary texts that are such a central part of contemporary literary studies, and from the varied and nuanced arguments that are made in this collection, is that questions of responsibility are central to literature, philosophy, and the arts, just as they are to the social realities that spawned them in the first place. Literature and Ethics is an important book for all literature and literary theory collections. It has specific resonance for students and teachers who are interested in the value of literary study, and in questions of ethics and narrative.

In this outstanding collection of essays, editors Neil Murphy and Wai-chew Sim seek not so much to demarcate the field of British Asian fiction, but to offer due acknowledgment of the artistic merit of the works of selected authors and simultaneously register their cultural significance. This volume demonstrates in situ the virtues of commentary that engages in a substantial manner with formal and aesthetic considerations, even as it implicates the discourses of alterity that dominate contemporary cultural criticism. Additionally, the essays delineate the complex subject positions explored by authors and texts, and focus on the way writers negotiate the exigencies of their location within and between different social formations. If it is the case that British literature can no longer be discussed in monocultural terms because of the impact of the writers under consideration, it is also the case that the diverse trans-cultural positions they explore are often less specified than proclaimed. Addressing difference, commensurability, and form-related notions of truth-content, these essays enlarge our understanding of the range of British (and affiliated) identities, as well as the cultural contexts from which they arose. Working as academics and critics from Singapore, a useful vantage point, Murphy and Sim have extended the parameters of British Asian to include, not just writers from South Asia as is traditionally the case, but writers whose parents, or who themselves, have migrated to Britain from other regions of Asia, for example, Japan, Hong Kong, and Malaysia. This initiative has made it possible for professors Murphy and Sim to bring together, first, an interestingly varied group of authors, among them those who came to prominence in the 1980s Salman Rushdie, Timothy Mo, Kazuo Ishiguro as well as their younger contemporaries Meera Syal, Romesh Gunesekera, Monica Ali, Hari Kunzru, Ooi Yang-May; and, second, a broad and diverse range of novels that span Timothy Mo s Sour Sweet (1982) and Tariq Ali s A Sultan in Palermo (2005), the fourth volume in his Islam quintet.

Authors like Annie Proulx, John Banville, Derek Mahon, Dermot Healy, and Higgins himself, represented by a previously uncollected essay, offer a variety of critical and creative commentaries, while scholars such as Keith Hopper, Peter van de Kamp, George O Brien, and Gerry Dukes contribute exciting new perspectives on all aspects of Higgins s writing, including his radio plays, his critical work, and the Harold Pinter film adaptation of Langrishe, Go Down. Langrishe too is revisited, while convincing cases are made for the major significance of later novels such as Bornholm Night-Ferry and Lions of the Grunewald, as well as Higgins s unorthodox trilogy of autobiographies. This collection confirms the enduring significance of Aidan Higgins as one of the major writers of our time, and also offers testament that Higgins s work is being rediscovered by a new generation of critics and writers.